In a Lonely Place starring Humphrey Bogart
Director: Nicholas Ray


Essential Actor / Actresses Here


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One of Humphrey Bogart's finest performances dominates this unusual 1950 film noir, which focuses less on the murder mystery at the center of its plot than on the investigation's devastating effect on a fragile romance. For Bogart, already a noir icon, the Andrew Solt script afforded an opportunity to explore a more complex and contradictory role--an antiheroic persona in line with the actor's most accomplished and absorbing triumphs throughout his career.
For maverick director Nicholas Ray, the film posed the challenge of taking crime dramas beyond their usual formulas and into a more mature realm, as well as a chance to cast a jaundiced eye on the film industry itself. Its protagonist is Dixon Steele, a Hollywood screenwriter with an acerbic wit and a violent temper. Tasked with adapting a bestseller, he meets a hatcheck girl who's read the book, hoping to glean its highlights before writing the script. When she's found murdered, Steele becomes the prime suspect, and a tightening knot of suspicion forms around the writer.

Steele's only, inconclusive witness is a pretty new neighbor, Laurel (Gloria Grahame), and the couple fall in love even as the pressure mounts. At first the new relationship is a tonic to the hard-boiled writer, who plunges into his script with a renewed vigor and discipline. But as the police continue to shadow him, Steele's own penchant for violence erupts against friends, strangers, and even Laurel herself, whose feelings are increasingly eclipsed by suspicion that her lover is a murderer, and fear that he'll harm her.

Bogart conveys Steele's world-weariness and underlying vulnerability, and manages the delicate task of making both his romantic yearning and sudden, murderous rages equally convincing. Ultimately, that performance and Grahame's sympathetic work elevate In a Lonely Place into what has been called "an existential love story" more than a crime drama.

Synopsis
Just when writer Dixon Steele begins a romance with his neighbor Laurel, the police begin to suspect him of murdering a woman he once dated. Laurel believes in Dixon's innocence; however, his alibi doesn't wash with the police. As the cops continue to pressure Dixon, the lovebirds' relationship begins to crumble. Nor does Dixon's increasing hot-tempered behavior help matters. Soon, Laurel begins to suspect that the police may be right after all.

Video Description
A hotheaded Hollywood screenwriter who'd sooner use his fists than his reason and his neighbor who has had her troubles in love and life, are drawn together when he is questioned for murder and she confirms his alibi. But, his volatile nature threatens to destroy their last chance at real love.

 

 

 

 

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